Think tank for visual strategies

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The Design Department of the Sandberg Instituut (Masters Rietveld Academie Amsterdam) is a think tank for visual strategies

Dialetheia

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Graduation Show Sandberg Instituut Design Department 2014

Underbelly

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Graduation Show Sandberg Instituut Design Department 2013

Who you gonna call?

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Graduation Show 2012 Design Department Sandberg Instituut

DISARMING DESIGN FROM PALESTINE 2013

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Unusual collection of contemporary Palestinian useful products

DISARMING DESIGN FROM PALESTINE 2012

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Unusual collection of contemporary Palestinian useful products

New designer’s application for 2012-2022

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Who are the people incubating within our design schools – the students who will emerge as the world’s Next Designers? What are their backgrounds, ambitions, doubts? How is this generation dealing with our current time-frame, dominated by media and technology? How will they use design to impact society? Do they have what it takes to meet the challenges of their chosen profession? Or is it they who ultimately will define these challenges, and reconstruct the profile of ‘designer’ for our future society. It is up to our schools not only to educate young designers, but to recognize them. In a fictional interview with a prospective student at the Sandberg Institute, design department head Annelys de Vet creates a portrait of a soon-to-be Next Designer.

Temporary Museum Amsterdam ’09

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The parallel programme to the annual art fair Art Amsterdam

27 Views On Terrorism Today

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Publication with 27 students about the representation of terrorism

La révolution de novembre 2006

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Deux importants prix nationaux furent remis à deux graphistes aux Pays-Bas à la fin de l'année dernière. Le prix Erasme(1) (€ 150.000,–) était placé sous le signe du graphisme pour le domaine public, et fut décerné à Pierre Bernard. Le prix du Prince Claus(2) (€ 100.000,–) fut décerné au graphiste iranien Reza Abedini pour sa manière personnelle d'adapter les connaissances et les acquis de l'héritage artistique iranien, en les renouvelant de façon passionnante. Les prix furent le motif d'ateliers, d'expositions et de discussions dans tout le pays. Jamais auparavant n'avais-je connu une telle effervescence autour du graphisme. Était-ce le début d'une nouvelle ère ?

The public role of the graphic designer

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Publication questioning the public cause of graphic designers

Subjective Atlas of the Netherlands

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Subjective atlas mapping Netherlands from inside out by it’s inhabitants

Comparing the city

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Publication on cultural differences between Maastricht and the city's